Core Contemporary is partnering with Post-Invisibles, a Montreal, Canada-based biennial that devoted to issues surrounding the place of women
in the field of visual arts today. Throughout this second biennial, more than fifteen exhibitions will be presented around the world exploring the theme of Territory/Boundaries, in the sense of the physical space we inhabit and share, regardless of the chosen or imposed borders, imaginary or geographical delimitations, that dividethe planet and all too often lead us to isolate, distance and separate ourselves from one
another.
The Las Vegas exhibition is co-curated by Mylène Lachance-Paquin and Nancy Good and features local fine artist, Jeannie Hua, whose dynamic, multi-layered paintings and collages fearlessly travel through concepts of cultural migration, historical and contemporary racism, fraught emotional territories, and confrontational change. Often raw, brutish, textured, and imperfect, Hua’s paintings usually challenge human and societal imperfections, in admonishment of our often very public failings. This biennial exhibition will debut a new series of works in Hua’s unique style. “While they’ve got a ferocity to them,” gallery owner Nancy Good says of Hua’s pieces, “there is also found withing
the work an almost maternal invitation to risk pain for the reward of epiphany and personal growth.”
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